The stock footage industry has the most thoughtless demands for video codecs they support. Most of them are very old, some are very editing unfriendly for buyers, some don’t support 4K and one codec is only available only on Apple computers.

Why do most filmmakers and videographers love to buy a mirrorless camera and then rigged it up until it is completely unrecognized? Because of the price? Simplicity? Variety of fieldwork? Or do we just like to have a lot of bothersome